When environmentalists fail to persuade us that there is an imminent threat of environmental disaster, they typically invoke the "precautionary principle" in order to justify their calls for more regulation. This work challenges the claim that the precautionary principle (PP) is an appropriate guide to public policy decisions. The fundamental problem is that it is impossible to prove a negative, so the PP can be used to justify any regulation limiting emissions of any substance. Taken in its extreme form, the PP would end civilisation. In its more practical form, the PP is about taking a hyper-cautious approach to emissions of substances into the environment. This means imposing very strict controls on the licensing of new technologies and cutting back drastically on emissions of substances into the environment. Although not as devastating as Leggett's philosophically dubious proposal, this more practical approach has serious drawbacks The opening brace of papers discusses the dubious philosophical foundations of PP, and consider the consequences of applying it in various policy contexts relating to scientific controversies.

The root causes of land degradation are the actions of political entrepreneurs, aid agencies, and governments of developing countries who misuse 'aid' money. Only when individuals are permitted to own property, especially land and water, to engage in free trade, and to resolve disputes through customary law, will the problems of land degradation, poverty, and hunger be reduced to acceptable levels.

Psychosexual drama starring Antonia Campbell-Hughes and Julian Morris. The titular couple meet in a Liverpool nightclub and it isn't long before they are home together and in the throes of an urgent and steamy passion. Although both Kelly (Campbell-Hughes) and Victor (Morris) begin to care about each other deeply and we are shown this through their developing relationship, it is in their sexual encounters that the real intensity rears its head... Writer/Director Kieran Evans won the BAFTA for Outstanding Debut By a British Writer, Director Or Producer.

In this study the authors examine the so-called scientific 'consensus' about global warming. They argue climate change is a problem of great complexity, and such analysis as has been made by no means supports the view that climate change would place intolerable burdens on future generations.